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Xiorro - Perreo Hasta En Los Raves w/ Max Watts remix [SR47]

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Last updated 11 abril 2025

Xiorro - Perreo Hasta En Los Raves w/ Max Watts remix [SR47]

Sorry Records is proud to present the new single from Xiorro titled Perreo En Los Raves -- a late summer Reggaeton rave floor filler from one of the best hard techno producers in America, accompanied by a blown to bits Highway 909 Midwest techno workout courtesy of Max Watts. Currently based in Atlanta, Xiorro has spent the last decade as a fixture in the NYC rave underground through his cofounding of the ALKHEMY collective and Whirlwind Trax label as well as his long running residency at beloved and uncompromising New York rave The Black Hole. We’ve been a huge fan of his for a while — obsessing over tracks like “The Decline of White Power” for United for Equity's Melt the Pot compilation, “Ikigai” off the WarinD Records V/A Don't Stop the Rave, his collab w/ Buzzi “Deep Rooted” which was easily the hardest track on any of the amazing 2020 Haus of Altr compilations, as well as countless Whirlwind Trax releases and mixes for Boiler Room Hard Dance, Griessmuehle, HÖR, Lobster Theremin, Community Bread, and more. Tennessee techno prodigy Max Watts returns for his third remix on Sorry since February of this year as well. Clearly one of our favorites producers in the world right now, Max is a bit of a uniquely peerless American techno machine with an output that is constantly in flux ranging from tribal techno explorations for BANK to disco filter house tools for the aforementioned 2020 Haus of Altr V/As and countless brilliant releases released in quick succession on his Bandcamp, outstanding vinyl imprint Limited Network, and through the great ESP Collective he co-founded with the great Dallas, TX techno producer Decoder. A note from Xiorro Perreo Hasta Los Raves is a sample-heavy broken beat techno track fused with Reggaeton’s iconic Dembow. Puerto Rico was rocked by Reggaeton’s underground in the 90s with producers like DJ Playero paving the way for a genre that no one ever imagined would be heard worldwide the way it is. With its gritty beats and raunchy lyrics, the genre was once illegal on the island, which helped push it further underground due to it being painted for “the streets. The track and artwork are not only meant to pay homage to those that once sonically moved our asses at our friend’s basement parties, but also meant to help introduce it to a new audience, so that they can also experience the Latin sensation. Simply put, this is a track meant to turn out all Reggaeton lovers at the rave and to convert those who were not aware of its banging drums.